The Conjuring: Last Rites has emerged as a massive success at the box office, earning $187 million globally during its opening weekend. This impressive figure marks the highest start for any film in The Conjuring franchise and positions it as the second-biggest global debut for a horror movie, just behind 2017's It. The movie generated $83 million domestically and an astounding $104 million internationally, making it the largest opening weekend ever for a horror film internationally. Directed by Michael Chaves and produced by James Wan and Peter Safran, Last Rites has also made waves in IMAX, with a record $14.3 million for a September release. The Conjuring universe, known for dramatizing the real-life cases of Ed and Lorraine Warren, continues to thrive despite mixed critical reviews, solidifying its place as the highest-grossing horror franchise worldwide with over $2.3 billion in earnings.
What is the significance of The Conjuring: Last Rites at the box office?The Conjuring: Last Rites is significant at the box office as it achieved the second-largest global opening for a horror film, amassing $187 million globally and marking a record-setting weekend in international markets. Its impressive performance reflects the enduring popularity of the Conjuring franchise and the horror genre as a whole.
The Conjuring franchise has captivated audiences since its inception in 2013, with each installment exploring the paranormal investigations of Ed and Lorraine Warren. Originally based on real-life events, the series has successfully expanded into various spin-offs, contributing to its massive financial success and cultural impact in the horror film industry.
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Honestly, it’s impressive to see a horror franchise still breaking records this deep into its run—proves that a solid formula and fan loyalty can outlast any critic’s hot take.
Honestly, it’s wild how this franchise keeps pulling in numbers like it’s a blockbuster action series, not horror. Just goes to show that jump scares and a good ghost story still hit different for audiences everywhere.